Analisis Semiotika Charles Morris terhadap Pemaknaan Warna Brave Pink dan Hero Green pada Foto Profil Media Sosial dalam Prahara Agustus 2025

Authors

  • Abdul Aziz Universitas Paramadina
  • Aditya Dwi Ardiandhini Universitas Paramadina
  • Intan Puspitasari Universitas Paramadina
  • Edison Bonar Tua Hutapea Universitas Paramadina

DOI:

https://doi.org/10.55681/sentri.v5i2.5574

Keywords:

Semiotics, Charles Morris, Brave Pink, Hero Green, Digital Solidarity, Visual Communication

Abstract

The phenomenon of using the colors Brave Pink and Hero Green in social media profile pictures during the August 2025 public unrest illustrates how visual symbols influence public perception, emotion, and collective action. Initially non-political, these colors gained new meanings through emotionally charged events and widespread digital participation. This study aims to analyze the semiotic meanings of these colors using Charles Morris' semiotic framework, which includes semantic, syntactic, and pragmatic dimensions. This research employs a qualitative approach with semiotic analysis of visual data (profile images, posters, and social media posts) and supporting online media texts. The findings reveal that Brave Pink symbolizes gentle moral courage rooted in empathy, while Hero Green represents solidarity and moral protection for victims of injustice. The relational use of both colors establishes a collective visual code through which the public express’s identity, ideological stance, and digital solidarity. Pragmatically, these symbols generate social effects such as online participation, spread of peaceful resistance symbols, and reinforcement of networked solidarity. This study demonstrates that color can function as a dynamic social sign, reshaped and negotiated through digital interaction, influencing collective action in contemporary media environments.

Downloads

Download data is not yet available.

References

Chandler, D. (2007). Semiotics: The Basics. 2nd Ed. Routledge.

Danesi, M. (2004). Messages, Signs, and Meanings: A Basic Textbook in Semiotics and Communication Theory. 3rd Ed. Canadian Scholars’ Press.

Detikcom. (2025). Ini 2 Sosok Inspirasi di Balik Tren Brave Pink-Hero Green yang Lagi Viral. Detikcom. Diakses dari https://www.detik.com/jabar/berita/d-8094405/ini-2-sosok-inspirasi-di-balik-tren-brave-pink-hero-green-yang-lagi-viral pada 28 September 2025.

Eriyanto. (2019). Metode Komunikasi Visual. Bandung: Remaja Rosdakarya.

Griffin, E. (2012). A First Look at Communication Theory. 8th Ed. McGraw-Hill.

Irmayanti. (2014). Analisis dengan Menggunakan Semiotika Charles Morris. Jurnal Komunikasi dan Media Indonesia. Universitas Indonesia. Diakses dari https://scholarhub.ui.ac.id/cgi/viewcontent.cgi?article=1091

Jenkins, H., dkk. (2016). Spreadable Media: Creating Value and Meaning in a Networked Culture. NYU Press.

Kriyantono, Rachmat. (2024). Teknik Praktis Riset Komunikasi. Jakarta: Kencana Pranada Media Group.

Littlejohn, S. W. & Foss, K. A. (2017). Theories of Human Communication. 11th Ed. Waveland Press.

Morissan. (2021). Teori Komunikasi Individu Hingga Massa. Jakarta: Kencana.

Tugu Jatim. (2025). Apa Itu Brave Pink & Hero Green Foto Profil Pink Hijau?. Tugujatim.id. Diakses dari https://tugujatim.id/apa-itu-brave-pink-hero-green-foto-profil-pink-hijau/ pada 28 September 2025.

Yuliana, D. (2021). Analisis Semiotika Banner Iklan Inovasi Layanan Perpustakaan Kota Yogyakarta terhadap Representasi Perempuan. Pustaka Budaya, 7(2). https://doi.org/10.31849/pb.v7i2.3702

Downloads

Published

2026-02-27

How to Cite

Aziz, A., Ardiandhini, A. D., Puspitasari, I., & Hutapea, E. B. T. (2026). Analisis Semiotika Charles Morris terhadap Pemaknaan Warna Brave Pink dan Hero Green pada Foto Profil Media Sosial dalam Prahara Agustus 2025. SENTRI: Jurnal Riset Ilmiah, 5(2), 1258–1271. https://doi.org/10.55681/sentri.v5i2.5574